New Reggae Night in Costa Rica
Reggae music has become a global phenomenon.
Cast into public awareness forty years ago by musicians like Johnny Nash and
Bob Marley, the music remains Caribbean in
temperament.
In 1995, the young Costa Rican label
Papaya Music released “Costa Rica Reggae Night”, an excellent compilation of Reggae
music from this country. This collection of thirteen songs from well known
Costa Rican bands serves as a history of notable local reggae bands. The album
has been a monster, selling over fifteen thousand copies in fifteen years, a
remarkable feat for an independent Central American label.
Papaya has decided to release a second album
in this vein, appropriately titled “Costa Rica Reggae Night 2”. It is a logical follow-up to
the first CD and picks up where it left off, with some new conceptual twists. Many
of the songs were recorded October and November last year; this new disc is an
excellent showcase of current Costa Rican bands and how Reggae has been
embraced globally and woven into other musical fabric, including ska,
electronica, cumbia, dub, even punk, along with conventional Latin rhythms.
The album opens with “Danger” by the Kingo
Lovers, a popular band from San Jose
who has amassed a large fan base during their four years together. The second
song is “A Queen Is” by Unity, formed by Sergio Camacho, a veteran in the Costa
Rican Reggae scene. His original band, Native Culture, appeared on the first
Reggae Night compilation. Other notable groups include Huba & Silica,
performing “Rockin’” from their “El
Origin de las Especies” CD and Sulalakaska (which means “paradise” in the
indigenous bri-bri) doing “Ayer Triste Hoy Feliz” from their album “Mummy
Fingers”, blending ska, punk, cumbia and meringue into their reggae stew for
their own unique sound.
The standout performance is
“Contracorriente” by Lucho Calavera y La Canalla from their new debut CD “Ni Pa Que Te
Quento”, which took a full year to make. The eight piece band is known for
their lively stage shows and an earnest attention to detail in the studio, a
rare combination. As Lucho explained, “We play what we know: Costa Rican and
Central American rhythms, rumba flamenco, meringue, funk, even cha cha cha!”
The potpourri has drawn a lot of attention, including by Papaya Music, who are
interested in distributing the new CD for the band.
In all, twelve bands appear on the album,
produced by the husband/wife team Yazmin Ross and Luciano Capelli, two of the
founders of Papaya Music. The result is a great barometer of the breadth Costa
Rican reggae has reached, revealing new talent and the evolution of popular
local musicians. Costa Rica Reggae Night 2 has the propensity to succeed beyond
its predecessor. It’s a great addition to anyone’s collection. It is available
at the Jaime Peligro book stores in Playa Tamarindo, Quepos and Nuevo Arenal.All comments concerning this article are gladly welcome.
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