Latin Beat
Latin music in varied forms has gone
global in the Twenty-first Century, in no small part thanks to Putumayo Music.
Oh, and Shakira and Carlos Santana. Putumayo
recently released their new CD, “Latin Beat”, showcasing rising stars of the
Latin Pop, R&B and Salsa genres and it is an impressive collection.
The album opens with the Cuban band Moneda
Dura, a band formed by two University
of Havana students,
singer/bassist Hugo Fernandez and singer/guitarist Nassiry Lugo. They have
created a stylized Afro-Cuban rhythm to a Pop sound and on the song, “Goza”
they incorporated vocals by Ibrihim Ferrer, who gained notoriety in the Buena
Vista Social Club. It’s a great opening number for the disc, with a bright,
alive sound from the first notes.
The Colombian band Profetas also turn in a
strong number with “Chocolate”. This band was also formed by two musicians, but
they were from very different parts of Bogota:
Antombo Langangui offering an Afro-Latin beat, played against Paul Fortitude’s
hip-hop influence. One of my favorite cuts on the album is “Locuraleza” by
Jontre, from Medellin,
with their use of clarinet, blending the traditional Colombian genre with a
modern Pop Latin sound. I also am partial to “Guajira” by Grupo Lokito, a
Twenty-first Century version of The Funkadelics. This UK based band
creates a gumbo of Congolese, rumba, salsa and seben, soukous and Cuban son.
Founded by pianist Sara McGuinness and Jose Hendrix Ndelo, they have a
frontline of truly glitzy performers, just coming off a very popular and
successful live tour that culminated at the London African Music Festival.
Profetas |
Other standouts on this eleven song
compilation include “Echale Guarapo” by the Cuban band Edesio, short for wiz
kid Edesio Alejandro Salva, a master of electronica who has worked on many
television shows and movies and was nominated for a 2010 Latin Grammy as well
as a 2011 American Grammy; the Ecuadorian band Sarazino plays “Pelo Shao”, an
Afro-Latin reggae song by the band’s brainchild Lamine Fellah, who was born in
Algeria, raised in Quito and attended college in Montreal, before returning to
the Andes; Mariposa Solar turns in a nice performance, too, with “Bonita
Mente-Bonita Suerte”, a song that fuses acoustic South American folk with bossa
nova, funk and cumbia, a unique blend, indeed; similarly, the Spanish band
Digitano mixes gypsy flamenco with layers of synthetic effects on “Asi Sin
Querer”.
And
Latin music from New Zealand?
That is precisely what you get with Sola Rosa, the stage name for Andrew
Spraggon, a one-man band from Aukland that grew to four members and are
currently touring Europe and the U.S. with their brand of hip-hop, funk and jazz
to a Latin beat.
If I have a knock on this compilation, it
is that of the eleven songs, seven of the bands are from Cuba or Colombia. I would like to have seen
a little more diversity, but the presentation and all the songs are successful
in their portrayal of the popularity of the Latin Beat in the Twenty-First
Century.
Latin Beat is available at the Jaime
Peligro book stores in Playa Tamarindo, Quepos and Nuevo Arenal, where they
will gladly sample the music for their customers. Any comments concerning this
article are welcome. Please check out our Facebook page at Tamarindo Jaime Peligro.
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