Lucky Thirteen for Costa
Norte
Max Urso
is a busy guy, a tireless visionary. He started his recording studio and label,
Costa Norte Records, in San Pedro Sula, Honduras in 1998, after hearing a rough
cassette tape of Honduran singer/songwriter Guillermo Anderson performing and
perceived a real need for a recording studio in the country. Both Guillermo and
Garifuna singer Aurelio Martinez were recently included in the Central American
Music Box CD, a compilation album demonstrating the musical diversity of this
region. It is an accomplishment that all three of them are very proud about and
happy to be a part of.
Max is now
building a new recording studio “from scratch” and is hoping it will be ready
in the near future. The new studio is also in San Pedro and will actually be
next door to his house there, so when inspiration arrives, he will not have far
to walk! He is also keeping the original name: Tarantula Studios. Sr. Urso
already has plans to record the premier albums for two young, very talented
local singer/songwriters, Rodrigo Cervantes and twenty-four year old phenom
Sonny Moran, who is already receiving notice for his single “Misterio”. Sr.
Urso also informed me of a new Guillermo Anderson CD in the works for 2011, his
twelfth in as many years for Costa Norte. Guillermo is the label’s best known
artist, with fans all over the world. It looks like Urso’s new recording studio
will be busy as soon as its doors open.
Max Urso
was a member of Khaos, the second Rock ‘n Roll band to form in Central America.
He now plays in The Khaoticos, who have the distinction of being the only
Central American group to be invited to play on “Strummer”, a tribute CD to The
Clash. The band has been steadily recording new material and they would like to
have enough material and time to record a new CD (their third) this year, too.
Urso is also very proud to have had the opportunity to work with Joey Ramone,
on a record Max produced in New York more than a decade ago for an Italian band
called Senzabenza. He should be very proud of what he has created at Costa
Norte Records, too.
We talked
about how musical influences fail to recognize manmade borders, how musical
styles like calypso and Garifuna have equal influences up and down the
Caribbean, regardless of the name of the country. Certainly, both these styles
of music that stretch along the entire eastern shoreline of Central America are
well represented on the Costa Norte label. I know that one of Urso’s goals is
for the music of Honduras and of all Central America to be heard on a further
reaching scope.
So, now
Costa Norte is a teenager! Max’s new recording studio should help the musical
styles here to get the recognition they deserve. It may also serve as an
incentive for musicians outside the area to come to Honduras to record,
creating a whole new level of interplay. And that can only be a good thing for
everyone involved. Happy birthday Costa Norte!
All comments concerning this article are gladly welcome.