Sleepwalking to a Funky Beat
What do you get
when you combine eleven musicians from Costa Rica,
Cuba, Colombia and El
Salvador who create a fusion sound of reggae, cumbia and
funk, then let them tour Europe? If you ask
the musicians of Sonambulo, they will tell you that the result is a new style
of music that they call “psicotropical”, a catchy phrase for their very
infectious music. The band’s first album, “A Puro Peluche”, was released in
January 2009 with a lot of positive acclaim and little distribution. It was
reissued in 2010 and promptly won the ACAM Best Tropical Album award. Getting
heard is always a problem for any independent performer, no matter how good or
popular you might be. But the Costa Rican label Papaya Music has recognized the
talent of this band and has decided to include them in their catalog, which
could be the break, the springboard, this band deserves. Sonambulo actually
began as a music project five years ago, evolved and influenced from the street
circus performances, Magos del Tiempo, in an effort to amalgamate social and
environmental causes in a musical score that combines traditional and modern
Latin and African beats into a creative new sound. The music definitely has all
that and a carney, gypsy feel to it as well. I also hear a Middle Eastern
influence and jazz roots as well, and yes, a little Rock & Roll, too. The
result is truly global music, as can be heard in all thirteen songs on the
album. Of the eleven musicians, there are three horn players, a keyboardist, and
electric bass and guitarists, with the five other musicians supplying a wall of
percussion, which often directs the sound of the band. I also find it
interesting to have five members contributing vocals, throwing another variety
of sounds into the mix. It’s hard to put a label on their sound (except
psicotropical); it reminds me at different times of many styles, embracing them
all, with a myriad of tempo breaks running rampant throughout the album. And
the music is certainly danceable. Through all the creativity of this nearly
hour-long disc, it is obvious that these guys are enjoying themselves.
Standout songs on
the album include “Zona Roja”, led by the funky bass playing of Tito Fuentes
and “Jabali Montuno”, with the reggae influenced guitar of David Cuenca. The
title song, “A Puro Peluche” has a Trance beat that is hypnotic, with the
excellent keyboard playing (and all throughout the album, really) of Manu
Davila. “Animal” is another notable, original song on the album, along with
“Chusma Funk”, two songs that defy conventional terms, helping to define the
new psicotropical category.
The band has just
completed a twenty-five date tour of Europe in
a six week span, helping to confirm their global appeal. They are now reportedly
working on their second CD and I, for one, am anxious to hear it. Papaya Music
has been promoting new local talent for some time and combined with their
recent release of the CD by Lucho Calavera y la Canalla and now Sonambulo,
they are well represented by modern, Twenty-First Century Costa Rican music.
The new CD is
available at Jaime Peligro book store in Playa Tamarindo, where you can sample
the music. All comments concerning thhis article are gladly welcome.