Villegas
Bernal Villegas has
paid his dues. He has been in the Costa Rica rock & roll scene for a good
twelve years, a guitar slinger and composer who has earned an excellent
reputation for himself in the local music community. In 1996, he started the band
Suite Doble with Marta Fonseca, who has since put herself on the national music
map as well. His next venture, the short-lived band called 50 al Norte, gained
recognition for their only CD, “Religion”, by distinguishing themselves as the
first Central American rock group to use horns in their arrangements. Both
bands carry their own legacies and both are now defunct. They have both also been
included in the Papaya Music compilation CD, “Costa Rica Rock & Pop”, which
lends credence to Bernal Villegas’ contributions to the Costa Rica rock
scene.
In the meantime,
Villegas has become a desirable commodity in the studio, as an accomplished, diverse
guitar player and for his knowledge at mixing and mastering recordings. Recent
evidence of Bernal’s popularity is in his slick guitar work on most of the
songs on the new Papaya CD by Amigosintimos, “En el Pais de las Maravillas”.
Now, Bernal
Villegas is ready to make a name for himself. He has recruited the maniacal
drummer Carlos Morales, who played in Suite Doble with him, and bassist Abel
Guier from the popular Costa Rican band Gandhi, to form the rock trio Villegas,
then record and produce a CD by the same name. “I think with this disc, we
finished one cycle and then opened another,” says Villegas, who wrote and sang
all the songs on the CD, as well as providing the blazing guitar work and co-producing
the album.
While recording the
Amigosintimos CD, Villegas worked side by side with executive producer Andres
Quintana and musical producer Eduardo Olive’. Bernal has recruited both to
provide their same talents on his album, with Olive’ assisting Villegas with
the mixing and mastering, as well as lending his keyboard playing to the
recording. There are some interesting studio tricks on the disc, but the result
comes off as a clean and well planned straight-forward rock & roll package.
The accompanying booklet, like the music, is direct and to the point: song
titles, lyrics and photos, with credits on the final page. The tee shirts the
band members wear in the photos display their influences, from Megadeath to Led
Zeppelin.
Villegas offers
nine new songs, in addition to “Estas Putas Guerras”, which he wrote during his
days with 50 al Norte and rerecorded for this inaugural disc. Other highlights
on the CD include “Que Locura” and the opening number, “A Dios le Pido”.
The band recently
premiered the album live before an anxious crowd at Jazz Café in Escazu with a
unanimously positive response. The patrons of this establishment are renowned
for being a music-savvy crowd and the establishment has built a very good
reputation for featuring top-notch acts, so the bandmembers considered this
show a real boost for their credibility.
In Playa Tamarindo,
all Papaya Music CDs, including “Villegas” is available at Jaime Peligro, where
they will gladly sample the music for their customers. All comments concerning this article are welcome.
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